Friday, October 17, 2014

David Wallace (Department of English, University of Pennsylvania)   

November 1414: Nations, Schisms, and the Work of Literary Cultures"
November 7, 2014
7.30 p.m.
English Studies Conference Room of the Graduate Center, CUNY (room 4406)
A wine and cheese reception will follow the presentation and question time.
In November 1414, while three popes reigned, each sure of his title, the nations of Europe began gathering in Council at Constance. When Benedict XVI resigned in 2012 it was remembered that no pope had done this since 1415, a year in which two popes resigned but a third refused to go; he was excommunicated by the Council itself in 1417. The Council of Constance is recognized as an extraordinary landmark in Catholic history: years in which ultimate Church authority resided not in a pope, as successor of Peter, but in the Council itself. The importance of Constance in European literary history, however, has been grossly under-estimated. It was chiefly through the exercise of rhetorical and literary skills, in sermons, treatises, orations, chronicles, memos, caveats, and bills (not bulls) that bonum commune was served and the schism mended. The thousands of literary men (few women) who converged on this small German city, between the Rhine and the Danube, began by addressing nationhood: what was a nation, and who might speak for it? Between formal sessions, and during downtime when the main work of the Council went on elsewhere, as at Perpignan, these litterati formed study circles, taught literary texts, sought out manuscripts, learned or invented Netherlandish hybrida, published new works and polished up old ones, pursued all things Greek, venerated Bridget of Sweden, wrote lyrics, songs, and diaries, and invented the nuclear patriarchal family. This last was the mission of Jean Gerson; other prominent figures composing or inspiring original work include Guillaume Fillastre, Manuel Chrysoloras, Jan Hus, Jerome of Prague, Oswald von Wolkenstein, Ulrich Richental, Poggio Bracciolini, Leonardo Bruni, Pier Paolo Vergerio, Benedetto da Piglio, Gregory Tsamblak (carrying the hopes of the Orthodox East), and (posthumously) Bridget of Sweden. The Jews of Constance, mindful of their own, long-established literary history, counter-processed their Torah; the English, though buoyed by Agincourt, wondered what cultural contributions they might make, given their eccentric and incomprehensible tongue. Constance ended with one schism healed but another opening, a political realignment that would outlast the Reformation and even, perhaps, the European Union.       


the illustrated copy of Ulrich Richental's chronicle on the Council of Constance, now in the New York Public Library. the ceremony for the re-canonization of Bridget of Sweden.



the illustrated copy of Ulrich Richental's chronicle on the Council of Constance, now in the New York Public Library. Pretzel sellers and bakers on the streets of Konstanz, meeting the needs of thousands of visitors.

Sunday, August 3, 2014


Schedule of Events 2014-15




With the exception of the museum tour on September 5, all meetings will be in the Graduate Center at 7.30 p.m. (room TBA) with a wine and cheese reception to follow the talk.



September 5, 2014. Guided tour at the Morgan Museum by curator Roger Wieck of “Miracles in Miniature: The Art of the Master of Claude de Franceat 6.00 p.m. or 6.30 p.m. Entrance fee required—a few places still available—please email vallen@jjay.cuny.edu for details.

[We are not meeting in October as the first Friday is Yom Kippur]

November 7, 2014. David Wallace (Department of English, University of Pennsylvania), “November 1414: Nations, Schisms, and the Work of Literary Cultures”

December 5, 2014.Global Medieval: A Roundtable” featuring:
Hyunhee Park (Department of History, John Jay College, CUNY), “Transfers of Geographical Knowledge in Eurasia during the Global Middle Ages”;
Toy Tung (Department of English, John Jay College CUNY), title TBA;
Tansen Sen (Department of History, Baruch), title TBA;
Nayhan Fancy (Department of History, DePauw University), "The Movement of Medical Texts and Commentators in Western Eurasia after 1300.”

February 6, 2015. Bob Hasenfratz (Department of English, University of Connecticut), “The Old English Poetry Project

March 6, 2015. Christopher MacEvitt (Department of Religion, Dartmouth College), “Saracen Jerusalem, Crusader Jerusalem: Fourteenth-Century Pilgrims in the Holy City”

March 27, 2015 [N.B. Brought forward one week, as April 3 is Passover and Good Friday]. The Rossell Hope Robbins Memorial Lecture: Patricia Clare Ingham (Department of English, Indiana University), “New Worlds: Tracking an Enchanted History.”

Sunday, April 27, 2014

Medieval Club at Kalamazoo
Foodways
Sunday May 11
8.30 a.m.
Schneider 1245
(Western Michigan University Campus)

Wan-Chuan Kao (Washington and Lee University) “The Fatness of Sanctity”
Denis Renevey (University of Lausanne) “Honey in the Mouth: The Name of Jesus and the Semiotics of Food”
Katherine McCullough (New York University), “Graveside Feasting in Anglo-Saxon England: Pagan Tradition and Christian Taboo”
Nicole Rice (St. John's University) “Baking, Mastery, and Drama in Premodern Chester”

Tuesday, March 11, 2014

Steven F. Kruger (Professor of English, Queens College and CUNY Graduate Center)
The Rossell Hope Robbins Memorial Lecture 
"Conversion on the Ground: Christians, Jews, and Conversos in the Crown of Aragon, 1412-1416"
April 4th
7:30pm
English Studies Conference Room of the Graduate Center, CUNY (Room 4406)

A wine and cheese reception will follow the presentation and question time

The Tortosa Disputation of 1413-14 was a public confrontation between Christians and Jews staged by Pope Benedict XIII, the “antipope” who had been expelled from Avignon, but who still claimed the papacy and the loyalty of the Christians of Iberia and of Scotland. Tortosa has been consistently considered a crucial turning point in Christian-Jewish relations, a moment at which the pressure for Jews to abandon their Jewishness was greatly intensified. Certainly, it was a moment in which much Jewish conversion occurred. And yet, much remains murky about the actual dynamics between and among Christians, Jews, and conversos at this crucial juncture. “Conversion on the Ground” attempts a closer, thicker description of this moment by reflecting on the rich materials that document the interreligious interactions at and around Tortosa: a Latin and a partial Hebrew transcript of the disputation itself; the Hebrew and Latin writings of Geronimo de Santa Fe, the main Christian disputant at Tortosa and himself a Jewish convert to Christianity; the later philosophical work of one of the Jewish disputants at Tortosa, Joseph Albo; documents from the Archive of the Crown of Aragon that give us snapshots of the interactions between conversos, Jews, and Christians at just this moment, including some of the players at the Disputation of Tortosa itself. 
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Wednesday, February 12, 2014

Maggie M. Williams (Associate Professor of Art History, William Paterson University)
On the Matter of Irish Crosses
March 7, 2014
7:30pm
English Studies Conference Room of the Graduate Center, CUNY (room 4406)

A wine and cheese reception will follow the presentation and question time.

Several hundred carved stone crosses remain standing throughout Ireland. The sculptures date to between the 7th and 12th centuries of the Common Era, and they have been the focus of scholarly attention for more than a century. Archaeologists and art historians have debated their chronology, style, and iconography, but few studies have considered the materials from which they were made—and subsequently re-made. From their origins in wooden and metalwork precursors to their current lithic state, the medieval crosses have a meaningful relationship to the prehistoric sandstone that lies under the Irish turf. In the 19th and 20th centuries, several crosses were meticulously replicated in plaster and other materials like bog oak. And, now, in the 21st century, digital technologies are allowing scholars to render those same sculptures using lasers and 3D scanning. This paper will explore the matter of Irish crosses—from wood to stone to plaster and pixels—investigating the effects that different materials might have on our understanding of the crosses’ meaning and value.